Su Kyung Lee

“When I saw the window at the first time, It was just too perfect for what I want to express. Then I ran to the art shop to buy bunch of paint markers. I started to draw on the window without proper sketch, just following my instinct. At the same time there was a great tension going on to avoid making a mistake. It was so pleased working on the window in great location and great people in unit9″

Hattie Stewart

“The weather was pretty awful when I started the window. Cold and miserable. I wanted to brighten things up a bit! Just because the weather sucks doesn’t mean you have to. This was a great project with a great location and I’m honored that unit9 asked me to be a part of this project. I hope people like it as much as I enjoyed doing it.”

Simon Spilsbury


“Big location, big canvas. And, the best thing about painting on a 16m window is you can’t scan it in and arse around with the results in Photoshop.”

McBess


“I was very happy to get the chance to put my stuff on the unit9 windows – I really wanted something striking, so I made those two big characters. They might be brothers, or the same guy looking at himself in the window… sooo poetic, haha.”

Paul Ryding


“This project was quite an undertaking at first. I’m normally used to the privacy of my drawing desk and working on cartridge paper. The busy location of the window was almost like a live performance on a scale and surface that I was completely unfamiliar with. Once I got past the initial fear, it felt so effortless that I could have kept going for days, weeks and even months. The hardest part can be knowing when to stop.”

Jon Burgerman


“I had no plan, I had no thought, I had a pen and decided to take it for a walk. My brain is a mess, my mind a ball of spaghetti charged with tiny electrical pulses being generated by a team of termites on a treadmill. I put it all up against the glass, I hope it will delight and intrigue and not leave anyone aghast.”